Category Archives: Paranormal & Urban
Love Charms, a collaboration between ten bestselling paranormal romance authors, was released earlier this week. There’s some really great authors in there, some of which have been on the New York Times and USA Today bestsellers lists.
10 scorching paranormal romances for ONLY 99 cents! LIMITED TIME ONLY! (REGULAR PRICE: $9.99)
Escape into the world of paranormal romance, a magical journey featuring delicious demons, wanton witches, zealous zombies and more that promise you a hauntingly good time! Featuring spell-binding novels from popular New York Times, USA Today, Amazon, and Barnes and Noble bestselling authors, including Ava Catori, Selena Kitt, Cerys du Lys, Deanna Roy and more, these enchanting books will be sure to charm, beguile and bewitch you!
Blinded by Magic, A Witch Romance by Ava Catori: Raven’s weakness is mortal men. She’s fallen hard for Derek. There’s just one problem, he doesn’t know she’s a witch. Can he accept her truth or will their relationship crumble?
Blind Date by Selena Kitt: Selena Kitt’s Blind Date ventures into the strange and surreal realm of magical realism in a hot Valentine’s Day romance that takes on the classic Greek myth of Eros and Psyche.
Breathless by Cerys du Lys: Sadie and Evan live in different worlds. Brought together by fate, and held there by hope, can they bridge the gap dividing humanity, or will long held fears and prejudice force them apart forever?
The Passion Cure by Deanna Roy: Jet is a Nix, an outcast enchantress with zero power. To conjure a love spell to save her family, she seduces a handsome enchanter who is willing to break the rules, and possibly, her heart.
Marked by Charisma M. Cole: Jade Murray is a witch that can communicate with the dead. After a summoning goes awry, two murders rock the human and supernatural world. One thing connects the gruesome acts: Jade.
The Warlord’s Concubine by J.E. & M. Keep: As a servant to the princess for much of her life, Mirella sees the conquest of the land as an opportunity to elevate herself.
A Demon and His Witch by Eve Langlais: Remy’s seen a lot during his tenure in Lucifer’s guard, but nothing can prepare him for the witch with the acerbic tongue–and voluptuous figure. Can he convince her to love him and not kill him?
Psychic Appeal by Michelle McCleod: Psychic Sofia Parker has fallen in love, a problem because her new relationship drives the lovesick ghost of her ex-boyfriend to come back from the dead…anyway he can.
Memoir of a Reluctant Shaman by Ty Nolan: When his love spell goes wrong, our hero is exiled to be fully initiated as a Shaman in this spicy tale of New Orleans Voodoo and Native American magic.
Vampire Lords of Blacknall Trinity by Shirl Anders: Only a creature of the night can save her. Lady Beth Winslow never stays home at night. She fears her stepbrother. Then a monster stalks her in the dark woods and she cannot tell beast from savior.
For this collection, I offered up my book, Breathless.
Breathless is a lot different from anything I’ve ever written before. I loved writing it, but some parts of it were very difficult. I needed a way to portray the confusion that Sadie has to deal with in this new world she’s been forced into, but I wanted to also show a sense of redemption and love, too. Admittedly, Sadie and Evan come together fast once they meet, but I don’t think it’s unbelievable. The circumstances and situations they’ve been thrown into are kind of crazy, and you don’t have time to worry or overthink things, you know? You either trust someone or you don’t, and you don’t have a chance to second guess yourself later. It either works out, or it doesn’t. I really liked that sort of “black and white” mentality going on. The other thing I liked is that not every character in the story follows along with that mindset, either.
Everything in Breathless is heightened in a way. The characters need to figure things out fast, or deal with the consequences. Granted, these aren’t always bad consequences, but every single thing that they do will have a reaction at some point in time. Literally everything. If they step outside and go for a walk in the morning, that could have dire consequences. If they fall in love, it could change their lives forever. In Breathless, the idea of dating someone, then breaking up with them… it just doesn’t exist. The world is too complex for something like that.
I wanted to capture that aspect of it, of the “survivor” and people’s will to survive. I wanted desperation and desolation, but I wanted hope and fighting against the odds, too. I wanted to write the sort of story that I think characters like Sadie and Evan deserve, and so that’s what I set out to do. I really like how it turned out, and I hope you’ll enjoy it, also!
So… I’m not actually sure how this is going to go, but I figured I’d try it. I just put up a listing for a request for a narrator for the full-length version of Hunted: An Erotic Retelling of Beauty and the Beast yesterday, and I’m hoping to maybe get that done by Christmas.
The thing with that is that uh… well, I never planned on doing an audiobook version of this one, per se. I mean, the idea was always in my mind and of course I was open to it. If a random narrator approached me about doing it, then I definitely would have said yes. That doesn’t really happen too often, from what I know, but I’d honestly probably be open to a lot of things like that.
For random reference, I like to do royalty shares with my audiobook narrators, since I think it’s more fair to everyone. The problem there is that a royalty share can be a good or a bad thing, you know? If the story doesn’t sell very well, then they’re kind of out some time and effort, which is sad. If the story sells well, they can make a good amount of money, though. On the flip side to that, if I paid them per finished hour (this is also relatively standard), then they could technically make more money if the story sells well, or a lot less of the story sells poorly.
As of now, most of my audiobooks have at least broken even, just about. I don’t know if anyone really cares about the business side of that, but the narrators and I have a 7 year agreement, too, so basically like… they’re all pretty much going to get paid more than the industry average, but it might take awhile for them to get it? So far they’ve broken even, or are very close to breaking even, and my first audiobooks ever were released this year, so it should work out for them in the long run. That’s kind of how this business is on all fronts, though. Not always, and sometimes a story sells really well right from the get-go, but not always.
Anyways! The point of all of that? I like doing audiobooks because it helps the narrators, gives them legitimate credits for their voice-over work, and kind of sets them up for more, you know? They can use the audiobook as a stepping stone to a better foot in the narration industry, or for acting, or whatever. I honestly think all of the narrators that have worked for me could do really well with this, either strictly voices or acting, or whatever. They have talent and drive to succeed.
So… saying that, I wasn’t going to do an audiobook version of Hunted at first, because I didn’t actually think it would sell amazingly well. I didn’t think it’d sell poorly or anything, and I thought it’d be a good book. Honestly, I like it a lot, myself, and I think it’s pretty sexy. It’s different and fun, with a bit of darkness to it, and more than its fair share of eroticism. That’s uh… well, that’s kind of the thing, I guess. I don’t want to make anyone feel awkward narrating it? Haha.
I don’t know why I think anyone would feel awkward with it, though. I’m pretty upfront about what it is and what to expect, so if they’re interested, then I think they should be given the chance to give it a try. And if I think it’ll be a decent seller and good for their career, then I don’t mind offering the opportunity to them, either, you know? I’ve been given some chances in life when I thought I could do something that others might think was too difficult or too strange, and I think those are the best types of chances sometimes. Just to get things out there and try something different, but also something good and useful, right?
So… well, Hunted is doing well. The e-book version is doing very well, and the paperback is doing pretty good, too. Paperbacks are honestly a harder sell, since, as an indie author, I can’t really get them into physical bookstores at the moment. That’s just an industry thing, and the big traditional publishers mostly have a stranglehold on that. E-books are a lot different, though, and I think I have a good understanding of that side of things.
For reference, Hunted is currently #16 in the entire All Romance eBooks store. They even sent me a neat little image thing for this site, which I’ll throw up on the sidebar soon! It might be there by the time you read this.
It’s also doing exceptional on Amazon, with a max ranking so far in the low ~1200s. This has translated into being on these best sellers lists there:
#4 Paranormal Romance > Angels
#6 Paranormal Romance > Ghosts
#6 Fantasy > Fairy Tales
#6 Paranormal Romance > Demons & Devils
#10 Paranormal Romance > Witches & Wizards
#11 World Literature > Mythology
#28 Paranormal Romance > Werewolves & Shifters
That’s just in the US. It’s ranking pretty well in Fantasy > Fairy Tales and Fiction > Fairy Tales, plus Myths & Fairy Tales in the UK, as well.
So… anyways, it’s doing well! Which is fun and great, and I really appreciate everyone’s support in this one and I’m glad to hear that a lot of people have liked it so far. I’m always kind of nervous about these things, you know? Like… I want things to do well, and I try my best to make them good and something that people will like and want to read, but I guess I’m sort of a pessimistically optimistic person. Like… it would be really nice if everyone loved everything I wrote, but I know that’s not how things work, and different things work for different people, so I just hope that at least some people will like some of the things I write?
I don’t know if that makes sense. Don’t take any of this as being especially pessimistic, because I’m not. I get really excited about things, to the point of being maybe too excited, but I try to have realistic expectations, too. The two things sort of clash sometimes.
I’m rambling a bit now, but the point of this whole thing is that I’m hopefully going to make an audiobook of Hunted, and I think this will be a great opportunity for the narrator. I like helping people out and in a creative entertainment sort of place, like with fiction books and everything, it can be really hard to get a foot in the door, you know? It takes a lot of time and effort sometimes. I’ve spent a lot of my own time and effort on all of this, so I’m hoping to share it a little by providing someone the opportunity to use some of my time and effort to help themselves out and to further their creative endeavors.
I will let you know if I find anyone! I’m still kind of picky when it comes to narrators, and I have a certain sort of voice in mind for this one, but I like to leave my options open, too. Sometimes people can surprise you, you know? I like when that happens, since it’s a lot of fun.
(This is a weird sort of post, but these are just some of the things I think about sometimes, so I thought I’d share for those who were interested in that kind of thing. I hope you liked it! What are your thoughts on audiobooks? They’re a lot different and they take a little getting used to, but I really like them)